EDUCATION
2018 - 2020 M.A. Fine Art Conception
Reutlingen University
2014 - 2018 B.A. Fashion & Textile Design
Reutlingen University
2013 - 2014 Foundation in Art and Design
Kolping Kunstschule Stuttgart
2012 - 2013 Art history & English language and literature studies
Eberhard Karls Universität Tübingen
EXHIBITIONS
SOLO
2024 AND MY DREAMS ARE ALL VIOLET
Galerie Peripherie, Tübingen
2023 Installation at Weingut Aufricht
Meersburg
Installation at OPEN ART
Stuttgart
2022 ORGANIC FORMATIONS
Akademien der Kreiskliniken Reutlingen
2021 BASICALLY A SALAD
Liquid Kelter, Tübingen,
DUO
2020 A BIGGER COLOUR
Römerstraße 2a, Stuttgart
GROUP
2023 PLATTFORM 11
Metzingen
PADA - end of residency exhibition
Galeria PADA, Barreiro, Portugal
ART IN EXILE
Shedhalle Tübingen
2022 WORKS ON PAPER 4 (online)
Blue Shop Cottage, London, UK
OFFLINE EDITION
Tinimini Room, Dordrecht, Netherlands
2021 BSC x AMASSA End of Residency Exhibiton
Mauroux, France
2020 Got It For Cheap
The Hole NYC, New York, USA
Kunst Reutlingen
Kunstverein Reutlingen
2019 Heimat.Land.Kreis
Alte Spinnerei, Wannweil
Got It For Cheap
Galleri Golsa, Oslo, Norway
2018 LINING
Kunstverein Reutlingen
2017 LASS BLUMEN SPRECHEN
Fleiner Möbel by architare, Stuttgart
RESIDENCIES & AWARDS
2024 Contemporary Art Academy London, Scholarship
2023 PADA Residency
Barreiro, Portugal
2022 Summer Academy Libken e.V.
Gerswalde
Akademie X: OUTSIDE/IN, Scholarship
Stuttgart
2021 BSC x AMASSA: Summer Residency with Blue Shop Cottage
France
2020 Guest Studio at Raketenstation Hombroich
Neuss
born in 1991
currently based in Tübingen, Germany
My work is a wonky celebration of the world around me.
It is inspired by nature, music, poetry, human experiences and feelings, and overall: dead sunflowers.
I paint what is around me, what is felt and what is inbetween. Nature and its organic shapes meet bold colours, shapes and colours dance with each other until they dissolve entirely into organic formations. It's playful, but can be melancholic at the same time, it’s a battle between elements and a battle between the abstract and the figurative, as it alludes to things that lead nowhere.
As I am frequently returning to, and adding to, my personal archive of shapes, motifs like dead sunflowers are recurring in my practice constantly, in various different forms. They accompany me and my work, and so they change as well.
It is an ever changing collage.